the new devil, hands in his pants
I took a job last week as a door-watcher. There’s a blank white room in
an office building just down from the elementary school, with a desk and
a chair and a office supply cabinet and a buzzer and two doors. One door
is the one I walk in and out of, and the other is the grey door, and
should the grey door open while I’m on shift I’m supposed to press the
button. The grey door has yet to open, so mostly I entertain myself by
putting thumbtacks I stole from the supply cabinet onto the bottoms of
my new leather boots and tap-dancing around the room. Tap dancing, I’ve
decided, does not need to be as lame as it is generally presented, if
you work some bump and grind into it. But then I guess that’s mostly the
case with anything.
When I’m not sure of how to proceed through the days, I used to try
paranoiac-critical dereve, where I wandered around the city, letting the
pulse guide me, and pulling predictions out of things I would see which
bore some slight resemblance to things I was thinking about. I was doing
a lot of speed then. Now I pick a poet, flip through a collection, and
pick a single phrase at random, which I sift for insight. Wallace
Stevens is particularly good for this, and my Stevens koan for the day,
from Thirteen Ways of Looking at a Blackbird:
“I was of three minds,
Like a tree
In which there are three blackbirds.”
(12:14.05.19.2005) [/ana] #